Taisabaki Waza
The taisabaki waza are designed to teach effective body movement. Like shokyū, the taisabaki waza should be first practiced in a simplified way to internalize accurate body movement. Because taisabaki waza drills alternate left and right sides, the student is also developing the skillful use of both sides of the body.
At first taisabaki waza may seem like a thing apart from the kata. However, you will find the taisabaki wazi in advanced kata and in kata bunkai. Kyū level Kōburyū students should practice taisabaki wazi bunkai until the movements become natural.the taisabaki waza include not only basic movements but also combinations from more advanced kata. While first practiced at shokyū level, the taisabaki waza are later practiced in a chūkyū and even jōkyū fashion, using the legs for power, grabbing for control, simultaneous block and attack and other skills necessary to move from beginner performance of a kata to true understanding of a mock battle. You cannot go on to more advanced techniques until the tai sabaki waza are mastered.
Taisabaki Waza Bunkai
Through taisabaki waza drills the student learns to control his or her own body movements. Through taisabaki waza bunkai the student learns how to take control of the opponent’s body, moving it or manipulating as necessary. This is especially important to joint locks and throwing techniques. More than just timing and distance, taisabaki waza bunkai offers the opportunity to practice the turning and evasion techniques of tenshin, grabbing for control, the strong stepping of fumikomi as well as correct use of the hips and pelvis, feet and legs, arms and hands.
Avoid non-essential movement. Each technique must be made decisively, with strength, speed, and proper positioning. It must also be small and controlled for efficiency, avoiding wasted motion which can lead to weakness in the defense. The taisabaki waza are designed to be executed from a stable stance. During bunkai, obtaining a stable stance can be more difficult, since you have the attacker’s energy, strength and weight to deal with.
Even beginners can work with a partner to learn the most basic version of each taisabaki waza bunkai. Since the taisabaki waza are not presented in order from easy to more difficult, the sensei should decide which taisabaki waza bunkai the student is ready for.
The Taisabaki Waza in Detail
Correct posture, foot placement, hip alignment and balance must be maintained. Execute each taisabaki waza with the appropriate weight distribution. Depending on the taisabaki waza , this can mean raising or lowering the body, shifting forward or back, pivoting on the balls of the feet, moving one’s weight onto one or both feet, or a combination of the above.
Not Just Warmups
The following set of taisabaki waza are often practiced as warm-ups, but they are more than that.
1. JÅdan â¡ ChÅ«dan â¡ Gedan No Tsuki  (JÅ ChÅ« Ge No Tsuki)
jÅdan | ä¸æ®µ | jÅ | upper |
chÅ«dan | ä¸æ®µ | chÅ« | middle |
gedan | ä¸æ®µ | ge | lower |
dan | 段 | level | |
tsuki | çªã | punch |
ä¸ ä¸ ä¸ ã® çªã
2. Gedan â¡ ChÅ«dan â¡ JÅdan â¡ SokutÅ Geri (Ge ChÅ« JÅ SokutÅ Geri)
gedan | ä¸æ®µ | ge | lower |
chÅ«dan | ä¸æ®µ | chÅ« | middle |
jÅdan | ä¸æ®µ | jÅ | upper |
dan | 段 | level | |
sokutÅ | 足å | knife edge of foot | |
geri | è¹´ã | kick |
ä¸ ä¸ ä¸ è¶³å è¹´ã
3. Tateken ChÅ«dan â¡ ShÅ JÅdan â¡ Hiji Uchi (Tateken ShÅte Yoko Hiji)
tateken | ç¸¦æ³ | vertical fist |
chÅ«dan | ä¸æ®µ | middle level |
shÅ shÅte | æ ææ | palm of the hand |
jÅdan | ä¸æ®µ | upper level |
yoko | 横 | side to side |
hiji | è | elbow |
uchi | æã¡ | strike |
ç¸¦æ³ ææ 横è
4. Kakato Geri
kakato | 踵 | heel |
geri | è¹´ã | kick |
5. RyÅte Uraken Uchi
ryÅte | 両æ | both hands |
uraken | è£æ³ | back of fist |
uchi | æã¡ | strike |
For the Young and Young at Heart
The following two taisabaki waza are great strength training for the legs, but without much practical application,
6. Kaiten Mawashi Geri
kaiten | å転 | around |
mawashi | ã¾ãã åã | turn or rotate |
geri | è¹´ã | kick |
7. Mawashi Tobi Geri
mawashi | ã¾ãã åã | turn or rotate |
tobi | ã¨ã³ 跳㳠| jump |
geri | è¹´ã | kick |
The Core Taisabaki Waza
yakusoku | 約束 | pre-arranged |
kumite | 組み手 | fighting |
bunkai | 分解 | analysis |
ōyō | 応用 | practical application |
As dan level promotion candidates, advanced students are asked to develop their own ideas for practical applications of the taisabaki wazi or to combine taisabaki waza and kata movements into a practical defense. These practical applications are called ōyō. The ōyō must be practical and the presentation should approach the look of a real fight and not go on and on like a sparring match. Remember, the goal of karate is to stop the fight. Sōke Kaichō Kinjō hopes to see the movements of tai sabaki waza effectively employed in bunkai and ōyō when he returns for future visits.
By comparison, Uechi Ryū shodan candidates also demonstrate mock fights with prearranged attack and defense called yakusoku kumite, “promise fighting.” Like Kōburyū, the goal is to make the fight as realistic as possible, but still remain safe. Unfortunately, the Uechi Ryū yakusoku kumite are pre-defined and offer no room for creativity.
1. JÅdan Tsuki Uke
jÅdan | ä¸æ®µ | upper |
tsuki uke | çªãåã | punch block |
2. JÅdan Tsuki Uke â¡ Gyaku-te Seiken Zuki
jÅdan | ä¸æ®µ | upper |
tsuki uke | çªãåã | punch block |
gyaku | é | opposite |
seiken | æ£æ³ | regular fist |
zuki | çªã | punch |
3. RyÅte Tsuki Uke
ryÅte | 両æ | both hands |
tsuki uke | çªãåã | punch block |
4. KÅsa Uke â¡ ShÅ Oshikomi
kÅsa uke | 交ååã | cross block |
shÅ | æ | palm of the hand |
oshikomu | ãã 込㿠æ¼ã込㿠| push into |
5. KÅsa Uke â¡ Zensoku Geri
kÅsa uke | 交ååã | cross block |
zensoku | å足 | front foot/leg |
geri | è¹´ã | kick |
6. KÅsa Uke DÅji Geri
kÅsa uke | 交ååã | cross block |
dÅji | åæ | simultaneous |
geri | è¹´ã | kick |
7. Gedan Tsuki Uke â¡ RyÅte Mawashi Ashi Barai
gedan | ä¸æ®µ | lower level |
tsuki uke | çªãåã | punch block |
ryÅte | 両æ | both hands |
mawashi | ã¾ãã åã | turn or rotate |
ashi | 足 | foot/leg |
barai | æã | sweep away |
8. Gedan Tsuki Uke ⡠Sukui Age ⡠Zensoku Geri
SokutÅ
gedan | ä¸æ®µ | lower level |
tsuki uke | çªãåã | punch block |
sukui age | ããã ãã | scoop up |
zensoku sokutÅ | å足 足å | front foot/leg knife edge of foot |
geri | è¹´ã | kick |
9. Gedan Tsuki Uke â¡ Sono Te De JÅdan Age Ukeâ¡ Gyaku-te ChÅ«dan Zuki
gedan | ä¸æ®µ | lower level |
tsuki uke | çªãåã | punch block |
sono te de | ãã®æ㧠| with that hand |
jÅdan | ä¸æ®µ | upper level |
age uke | ããåã | rising block |
gyaku te | éæ | opposite hand |
chÅ«dan | ä¸æ®µ | middle level |
zuki | çªã | punch |
10. KÅsa Uke Kara â¡ RyÅte ShÅ Oshidashi
kÅsa uke | 交ååã | cross block |
kara | ãã | from |
ryÅte | 両æ | both hands |
shÅ | æ | palm of the hand |
oshidashi | æ¼ãåºã | push out |
11. KÅsa Uke â¡ RyÅte ShutÅ Kubi Uchi
kÅsa uke | 交ååã | cross block |
ryÅte | 両æ | both hands |
shutÅ | æå | sword hand |
kubi | é¦ | neck |
uchi | æã¡ | strike |
12. KÅsa Uke â¡ ShutÅ Suihei Uchi
kÅsa uke | 交ååã | cross block |
shutÅ | æå | sword hand |
suihei | æ°´å¹³ | horizontal |
uchi | æã¡ | strike |
13. KÅsa Uke â¡ ShutÅ Åfuku Uchikomi
kÅsa uke | 交ååã | cross block |
shutÅ | æå | sword hand |
Åfuku | å¾å¾© | round trip |
uchikomi | æã¡è¾¼ã¿ | push into |
14. KÅsa Uke DÅji ShÅ Ganmen Uchi â¡ Gyaku-te ChÅ«dan Zuki
kÅsa uke | 交ååã | cross block |
dÅji | åæ | simultaneous |
shÅ | æ | palm of the hand |
ganmen | é¡é¢ | face |
uchi | æã¡ | strike |
gyaku te | éæ | opposite hand |
chÅ«dan | ä¸æ®µ | middle level |
zuki | çªã | punch |
15. KÅsa Uke â¡ Gedan ShÅ De Kime â¡ Sono Te De Ganmen Uraken Uchi
kÅsa uke | 交ååã | cross block |
gedan | ä¸æ®µ | lower level |
shÅ de | æ㧠| with the palm of the hand |
kime | 決ã | deliver |
sono te de | ããã®æ㧠| with that [same] hand |
ganmen | é¡é¢ | face |
uraken uchi | è£æ³æã¡ | strike with back of the fist |
The word kime, meaning “to deliver,” is used when a strike is not strictly a thrust or hit.
16. KÅsa Uke â¡ ShutÅ Suihei Uchi â¡ Zensoku Kakato Geri
kÅsa uke | 交ååã | cross block |
shutÅ | æå | sword hand |
suihei | æ°´å¹³ | horizontal |
uchi | æã¡ | strike |
zensoku | å足 | front foot/leg |
geri | è¹´ã | kick |
17. KÅsa Uke â¡ ShutÅ Suihei Uchi â¡ KÅsoku Kakato Geri
kÅsa uke | 交ååã | cross block |
shutÅ | æå | sword hand |
suihei | æ°´å¹³ | horizontal |
uchi | æã¡ | strike |
kÅsoku | å¾è¶³ | back foot/leg |
geri | è¹´ã | kick |
18. Zensoku Kakato Geri DÅji Ni Uraken To Seiken Zuki
zensoku | å足 | front foot/leg |
kakato | 踵 | heel |
geri | è¹´ã | kick |
dÅji ni | åæ ã« | simultaneously |
uraken | è£æ³ | back fist |
to | 㨠| and |
seiken | æ£æ³ | regular fist |
zuki | çªã | punch |
19. KÅsa Uke â¡ Hiza Geri
kÅsa uke | 交ååã | cross block |
hiza | è | knee |
geri | è¹´ã | kick |
20. KÅsa Uke â¡ Yoko Hiji Uchi
kÅsa uke | 交ååã | cross block |
yoko | 横 | side to side |
hiji | è | elbow |
uchi | æã¡ | strike |
21. KÅsa Uke â¡ Tate Hiji Uchi
kÅsa uke | 交ååã | cross block |
tate | 縦 | vertical |
hiji | è | elbow |
uchi | æã¡ | strike |
22. KÅsa Uke â¡ Furi Hiji Uchi
kÅsa uke | 交ååã | cross block |
furi | æ¯ã | swinging |
hiji | è | elbow |
uchi | æã¡ | strike |
23. KÅsa Uke â¡ ShÅ«koken Uchi DÅji Ni ShÅ Oshikomi
kÅsa uke | 交ååã | cross block |
shÅ«ko | æç² | back of the hand/wrist |
ken | æ³ | fist |
uchi | æã¡ | strike |
dÅji ni | åæã« | simultaneously |
shÅ | æ | palm of the hand |
oshikomi | ææ¼ã込㿠| push into |
24. RyÅte Hiki Uke â¡ KÅsoku ChÅ«dan Geri
ryÅte | 両æ | both hands |
hiki | å¼ã | pull |
uke | åã | block |
kÅsoku | å¾è¶³ | back foot/leg |
chÅ«dan | ä¸æ®µ | middle level |
geri | è¹´ã | kick |
Why Learn the Names in Japanese?
The Japanese names for the taisabaki waza are not really names. They are descriptions of the moves. As such, the wording sometimes changes. We could give the descriptions wholly in English, but giving the names in English would take more words to be perfectly clear. Most of the taisabaki waza terms are used over and over again in many contexts, and can be remembered almost without effort. Besides, knowing the Japanese terms makes it easier for us to understand Sōke Kaichō Kinjō.
An Aid to Memorizing
Unless you expect to be asked to lead taisabaki waza you can relax and concentrate on the training. For those who do lead, memorizing the order can be challenging. The core taisabaki waza can be roughly divided into groups as an aid to memory. I offer my names, but call the groups what you like. Good luck.
1-3 | Upper |
4-6 | Middle |
7-9 | Lower |
10-12 | Easy ones |
13-15 | Combinations |
16-17 | Back to suihei |
18-19 | Odd ones |
20-22 | Elbow strikes |
23 – 24 | Last two |


