The Karate Kata
There are nine Kōburyū karate kata. In order of study:
Sanchin | Three Battles | China | 三戦 |
Kanshiwa | Honors Uechi Kanbun and Shushiwa | Uechi Kanei | 完子和 |
Dainiseisan | Second Seisan | Itokazu Seiki | 第二十三 |
Kōbuken | Kō’s Fighting Fist | Kinjō Takashi | 孝武拳 |
Seichin | 10 Battles | Uehara Saburo | 十戦 |
Seisan | 13 | China | 十三 |
Seiryū | 16 | Uechi Kanei | 十六 |
Kanchin | Kanbun’s Battles | Uechi Kanei | 完戦 |
[Kōbu no] Sanseiryū | 36 | China | [孝武の] 三十六 |
The Three Kata Originally From China
Kanbun Uechi learned three kata during his time in China: sanchin, seisan and sanseiryu. These original kata incorporate only strikes with the palm of the hand, thrusts using the hand like a spear and the penetrating one-knuckle punch called shōken. As a nod to the historical roots of Kōburyū, sanchin, seisan and sanseiryu continue to include only shotei, nukite and and shōken.
The punch called seiken using the first two knuckles of the clenched fist was a Gōjū Ryū innovation. The seiken punch is found in Kanshiwa and is considered safer for beginners.
Sanchin, means “three battles.” It is one of three kata brought from China by Uechi Kanbun (上地 完文 1877-1948), founder of Uechi Ryū. Uechi Kanbun traveled to China in 1897 in hopes to study Chinese kenpo. He was accepted as a student by Shū Shiwa (周 子和 1874-1926), who taught Pangainoon (半硬軟) at the Southern Shaolin Temple in Fukien Province, China. It is said that Uechi Kanbun studied just this simple-seeming kata for three years.
The basic stance of Sanchin is equally strong from all directions, like a rooted tree, while retaining the ability to quickly move in any direction. The strikes of Sanchin are all open-handed, using the hand to thrust like a spear. The highly-stylized “flat hand coming around” block of Uechi Ryū has been replaced by the more natural and effective kōsa uke of Kōburyū.
The Sanchin practitioner practices a focused, calm demeanor while receiving blows to the torso, legs and arms. The goal of sanchin training is not to cause damage, but to test the various muscles of the body for firmness. Therefore, sanchin testing begins with touching and pushing and only very gradually progresses to blows.
Over time the dedicated Sanchin practitioner will develop a piercing gaze and the physical strength and mental fortitude to withstand powerful strikes and kicks. Uechi Kanbun said “all is in Sanchin.” For Kōburyū, like all styles related to Uechi Ryū, Sanchin is the foundation for everything that comes after.
Seisan
Seisan means “thirteen.” Seisan is one of three kata (Sanchin, Seisan, Sanseiryu) brought from China by Uechi Kanbun. Seisan comes directly from Pangainoon, a Chinese style of kung fu based on the movements of the tiger, crane and dragon.
Seisan requires speed and the ability to produce a sudden burst of power to spring back into the crane stance in the signature move of the kata. This kata provides training for many practical skills.
Kōbu no Sanseiryū
Sanseiryū means “thirty six.” Sanseiryū is one of three kata introduced from China by Uechi Kanbun. Because he has made changes to this classical kata, Sōke Kaichō Kinjō calls it Kōbu no Sanseiryū . Over the years Sōke Kaichō Kinjō has demonstrated Sanseiryu and, in recent years, Kōbu no Sanseiryū at many public events.
Kōbu no Sanseiryū demonstrates the art of movement. As the defender faces the challenges posed by enemies in every direction many stances are employed: shizen dachi, zenkutsu dachi, suegoshi dachi and neko ashi dachi. The student of Koburyu who has diligently practiced taisabaki waza will be rewarded as he begins to tackle this advanced kata.
The Kata Added by Uechi Kanei
Kanshiwa (完子和) was created in 1954 by Uechi Kanei (上地 完英 1911-1991). It was named after the founder of Uechi Ryū, Uechi Kanbun (上地 完文1877-1948), and his teacher in China, Shushiwa (周子和 1874-1926). Shushiwa was once mistranslated as Shushabu. In the early 1970s, Shushabu was corrected to Shushiwa. Accordingly, the kata was renamed from Kanshabu to Kanshiwa, though some related styles still refer to it as Shushabu.
The first three punches of Kanshiwa were originally delivered shōken . Because this kata is for beginners, the shōken punches were later changed to seiken (meaning “regular fist,” using the first two knuckles at the base of the fingers), an easier and safer alternative for beginners. This is the only kata of the Uechi Ryū family of styles that includes seiken punches.
Even though Kanshiwa was intended for beginners, it has many lessons for the advanced student. Indeed, Sōke Kaichō Kinjo in recent years has often demonstrated this kata. If you master the three levels, shokyū, chūkyū and jōkyū, of kata performance for Kanshiwa then you will find the other kata of Kōburyū have a similar progression of skills from beginner to advanced.
Dainiseisan
Dainiseisan means “second seisan.” Dainiseisan is intended to be preparation for Seisan. It contains many movements directly from Seisan. Dainiseisan was created by Sōke Kaichō Kinjo’s sensei, Itokazu Seiki (糸数 盛喜 1915-2006). In the 1970s, it was renamed Kanshū by the Uechi Ryū organization, combining the names of Kanbun and Shū Shiwa. Sōke Kaichō Kinjo prefers the original name, as it was given this name by its creator, Itokazu Seiki Sensei.
Seichin
Seichin means “ten battles.” It is generally considered to be the most difficult of the kyū-level kata. It contains movements from Okinawa-te and Pangainoon. This kata was created by Uehara Saburo (上原 三郞 1890 – 1965).
In 1925, Uehara Saburo traveled to Wakayama City, Japan, where he worked in the same cotton mill as Uechi Kanbun. In 1926, he became the second student of Uechi Kanbun. After World War II he returned to Okinawa and opened a dojo in Naha City. He created Seichin in 1963.
The student encounters cat stance ( neko ashi dachi 猫足立ち ) for the first time in this kata. Indeed, the signature move of this kata is a down block as the defender sinks into a firmly rooted cat stance followed by an open hand “thumb fist” ( boshiken 拇指 拳) attack.
Seiryū
Seiryū (十六) means “sixteen.” It was created by Uechi Kanei (上地 完英 1911-1991). It is quite different from other Uechi kata in that there are many open hand techniques.
The signature move of this kata is a shin block followed by kōsa uke (cross block) as the defender sinks into a firmly rooted cat stance and kicks. This movement was poorly understood until Sōke Kaichō Kinjō created a taisabaki waza that drills this technique and explains its purpose through bunkai.
Kanchin
Kanchin means “Kanbun’s battles.” It was created by Kanei Uechi and the name refers to his father, Kanbun Uechi.
Kanchin (完戦) was created by Uechi Kanei (上地 完英 1911-1991). It is characterized by speed and dynamic movement. It includes movements similar to the next and final kata, Sanseiryu.
Kanchin features three different combinations where the defender must drive into the attack: the elbow thrust (hiji zuki 肘突き), the scooping block (sukui uke 掬い 受け) followed by a throw, and the combination punch and block to the opponent’s leg (gedan tsuki uke 下段 払い受け).
The shokyū version of Kanchin was not modified by Sōke Kaichō Kinjō so that students can learn the old way and can experience for themselves the difference between Uechi-style movement and Kōburyū.
The Kata Unique to Kōburyū
Kōbuken
Kōbuken was created by Sōke Kaichō Kinjō Takashi, founder and chairman of Kōburyū. Kōbuken means “Kō’s Fighting Fist.” The kō of Kōbuken comes from Sōke Kaichō Kinjō’s given name, Takashi. Kō is an alternative pronunciation of the kanji for Takashi (孝). It is the kō of both Kōburyū and Kōbuken. It means “filial piety.”
While the other kata of Kōburyū are also part of Uechi Ryū, Kōbuken only exists in Kōburyū. It embodies the unique movement style of Kōburyū featuring power, speed and explosive drive. Kōbuken is a kata for the beginning to intermediate student to begin mastery of true Kōburyū movement.
Why Practice Kata Gyaku?
gyaku | 逆 | opposite, reverse |
All three key training elements of Kōburyū (kata, taisabaki waza and even bunkai) are practiced using both the right and left versions. The left version is called gyaku, meaning reverse or opposite. If you know the normal version of a kata very well it will not be difficult to learn the mirror image version of the kata.
Practice the kata gyaku for several important reasons:
- Learning kata gyaku offers the student the opportunity to move beyond rote repetition and begin to understand how and why the pieces of the kata fit together.
- It is important to train both sides of the body for balanced development of the muscles of the body.
- The ability to attack or defend using either a right or left technique is also important for versatility in a real battle.
- Sometimes it’s good to feel like a beginner again.
Shokyū, Chūkyū, and Jōkyū
Sōke Kaichō Kinjō has defined beginning, intermediate and advanced versions of every kata called shokyū, chūkyū and jōkyū. Together shokyū, chūkyū and jōkyūt provide a well-defined path from performance of a technically accurate kata to a powerful and dynamic kata to a kata of true battle intent.
Are There Too Many Kata?
Some students and even a few misguided sensei have complained that there are too many kata, apparently believing that each different approach to kata performance is somehow a different kata. Not so. There are exactly nine kata in Kōburyū. Chūkyū, jōkyū and gyaku are variations of shokyū. Each variation has a clearly defined purpose.
Some thoughts:
- Not every student will have the personal drive to move on to chūkyū. Students can have a perfectly rewarding Kōburyū experience perfecting shokyū.
- When to move on to chūkyū cannot be defined as a particular point in the curriculum. Chūkyū is designed to be an individual pursuit.
- Beyond teaching the minor movement changes in chūkyū kata and bunkai, chūkyū cannot be taught as a group exercise.
Again, chūkyū is designed to be an individual pursuit. If there are enough students ready for and interested in chūkyū, perhaps an independent study time can be arranged for that purpose. Since bunkai is a big part of chūkyū, similarly skilled and motivated partners should be on hand for bunkai practice.
What is Yubu?
yūbu | 遊武 | |
yū | 遊 | play |
Sōke Kaichō Kinjō has said that there are levels of kata performance beyond jōkyū. He introduced Kanshiwa Yūbu as an example of where one could go from jōkyū. Obviously students should not practice Kanshiwa Yūbu until jōkyū is perfected. To practice too soon is to turn it into just another shokyū version of Kanshiwa. In fact, Kanshiwa Yūbu is Sōke Kaichō Kinjō’s yūbu. Like a painter creating a masterpiece, yūbu should reflect the depth of understanding and creativity of the painter. Copying someone else’s painting does not make you a master.