The Karate Kata

There are nine Kōburyū karate kata. In order of study:

SanchinThree BattlesChina三戦
KanshiwaHonors Uechi Kanbun and ShushiwaUechi Kanei完子和
DainiseisanSecond SeisanItokazu Seiki第二十三
KōbukenKō’s Fighting FistKinjō Takashi孝武拳
Seichin10 BattlesUehara Saburo十戦
Seisan13China十三
Seiryū16Uechi Kanei十六
KanchinKanbun’s BattlesUechi Kanei完戦
[Kōbu no] Sanseiryū 36China[孝武の] 三十六

The Three Kata Originally From China

Kanbun Uechi learned three kata during his time in China: sanchin, seisan and sanseiryu. These original kata incorporate only strikes with the palm of the hand, thrusts using the hand like a spear and the penetrating one-knuckle punch called shōken. As a nod to the historical roots of Kōburyū, sanchin, seisan and sanseiryu continue to include only shotei, nukite and and shōken.

The punch called seiken using the first two knuckles of the clenched fist was a Gōjū Ryū innovation. The seiken punch is found in Kanshiwa and is considered safer for beginners.

Seisan

Kōbu no Sanseiryū

The Kata Added by Uechi Kanei

Dainiseisan

Seichin

Seiryū

Kanchin

The Kata Unique to Kōburyū

Kōbuken

Why Practice Kata Gyaku?

gyakuopposite, reverse

All three key training elements of Kōburyū (kata, taisabaki waza and even bunkai) are practiced using both the right and left versions. The left version is called gyaku, meaning reverse or opposite. If you know the normal version of a kata very well it will not be difficult to learn the mirror image version of the kata.

Practice the kata gyaku for several important reasons:

  1. Learning kata gyaku offers the student the opportunity to move beyond rote repetition and begin to understand how and why the pieces of the kata fit together.
  2. It is important to train both sides of the body for balanced development of the muscles of the body.
  3. The ability to attack or defend using either a right or left technique is also important for versatility in a real battle.
  4. Sometimes it’s good to feel like a beginner again.

Shokyū, Chūkyū, and Jōkyū

Sōke Kaichō Kinjō has defined beginning, intermediate and advanced versions of every kata called shokyū, chūkyū and jōkyū. Together shokyū, chūkyū and jōkyūt provide a well-defined path from performance of a technically accurate kata to a powerful and dynamic kata to a kata of true battle intent.


Are There Too Many Kata?

Some students and even a few misguided sensei have complained that there are too many kata, apparently believing that each different approach to kata performance is somehow a different kata. Not so. There are exactly nine kata in Kōburyū. Chūkyū, jōkyū and gyaku are variations of shokyū. Each variation has a clearly defined purpose.

Some thoughts:

  1. Not every student will have the personal drive to move on to chūkyū. Students can have a perfectly rewarding Kōburyū experience perfecting shokyū.
  2. When to move on to chūkyū cannot be defined as a particular point in the curriculum. Chūkyū is designed to be an individual pursuit.
  3. Beyond teaching the minor movement changes in chūkyū kata and bunkai, chūkyū cannot be taught as a group exercise.

Again, chūkyū is designed to be an individual pursuit. If there are enough students ready for and interested in chūkyū, perhaps an independent study time can be arranged for that purpose. Since bunkai is a big part of chūkyū, similarly skilled and motivated partners should be on hand for bunkai practice.

What is Yubu?

yūbu遊武
play

Sōke Kaichō Kinjō has said that there are levels of kata performance beyond jōkyū. He introduced Kanshiwa Yūbu as an example of where one could go from jōkyū. Obviously students should not practice Kanshiwa Yūbu until jōkyū is perfected. To practice too soon is to turn it into just another shokyū version of Kanshiwa. In fact, Kanshiwa Yūbu is Sōke Kaichō Kinjō’s yūbu. Like a painter creating a masterpiece, yūbu should reflect the depth of understanding and creativity of the painter. Copying someone else’s painting does not make you a master.